Art in disaster: How Grand Forks is using creativity to process the flood’s impact

‘It was a sunny day, and so even though it was horrific and devastating, it was beautiful’

Dave Soroka’s shiny black cowboy boots creased behind his toes as he crouched down in front of a wall-sized painting at Gallery 2 last Friday to get a better look at details revealed by brown, yellow and blot ink blots. Amidst the sprawling valley landscape laid out by artist Leta Heiberg in three paper panels, Soroka’s eyes seemed to contemplate a small patch of ink splotches in the bottom-right corner of the expansive piece.

The dots he saw were dabs of precision amidst randomness. Just like when he returned to his property after the Kettle had washed its silt over it all, so randomly and perfectly invading the landscape. Heiberg’s splotches of ink, in that small corner, were that silt — mud on something so meticulously cared for, blotting out the bits of intention that Soroka had created over 30 years on his property before the water came and left the debris behind. Just like the mud and the sand and debris, Heiberg’s trailing brown blotches resembled reminders that despite the receding waters and memories, the flood has left its fine memories in the people and the land of Grand Forks.

The piece Soroka examined was one of the final pieces in Heiberg’s “Flood (re)views” series, which she completed nearly a year after the water retreated. The Grand Forks artist based the paintings off of aerial photographs taken by a Search and Rescue friend at the peak of the high water, after she said that seeing the images gave her a new perspective on the disaster.

“They were actually really beautiful,” Heiberg said. “It was a sunny day, and so even though it was horrific and devastating, it was beautiful.”

Heiberg’s artistic understanding of those photographs now hang in Gallery 2 as giant and sprawling charcoal and ink interpretations of the ranging flood waters.

The early works in the series consume their viewers in thick, vertiginous lines of swirling black mountains and chaotic and colourful rivers.

“If we are living in a climate of change and chaos are we not also experiencing that same state mentally?” Heiberg suggested, offering some explanation to the sense of being overwhelmed given by some of the “Flood (re)views” pieces.

“When everyone else’s lives basically turn to one event all at the same time, it does feel a bit claustrophobic I think,” Heiberg said, interpreting the staggering feelings that her works can give viewers.

However, “as [this] spring came about and also the distance of time from the event, your perspective just seems to — well, it fades a little,” Heiberg said, explaining the comparatively open and breathable sense offered by the more loosely connected ink splotches in her spring pieces.

In their isolation though, the fewer ink splotches still have a power. The charcoal and ink blots don’t extend to the edges of the frame like pieces done in the winter, there is a more narrow palate of colours (no more magentas and deep blues, just light and placid aqua colours beside earthy yellows and browns), but none the less, the blotches linger. It’s part of what drew Soroka to take a closer look.

“It’s not like it’s gone,” Heiberg said of the community’s memory of the disaster. “It’s just not as all-consuming and present. It’s not as intense as it had been.”

“Flood (re)views” is just one of several water-related feature exhibitions that opened at Gallery 2 last Friday. In the adjacent room, a 114-foot map of the Columbia River meanders through the main gallery, complete with a winding poem written by former Canadian Parliamentary Poet Laureate Fred Wah that relays stories of the treaties struck along the river’s banks. Elsewhere, a series of photos and etchings that overlay the mechanics of hydro-electric infrastructure with natural landscapes, while a wall of paintings, done from actual silt from various areas of the river covers the wall, that depicts ancient fossils found in the Columbia’s bed serves as a backdrop to the winding verses that are suspended in the gallery by hundreds of fish hooks.

The river-related exhibitions represent curator Tim van Wijk’s first suite of exhibitions that are entirely the result of his own curatorial work, after having taken over the helm of Gallery 2 in 2017.

Van Wijk said he was already planning the exhibit in the fall before the flood but after May 2018, the curator said, “There [was] no way we could have a show about rivers and not somehow talk about the flood.”

There was a role that Gallery 2 could play in Grand Forks’s recovery, the curator said. “It kind of took on a new urgency or meaning in terms of how arts and culture contribute to the social fabric of the community,” he explained.

 

A 114-foot map of the Columbia River, along with an accompanying poem, hangs in the main gallery at Gallery 2 in Grand Forks. (Jensen Edwards/Grand Forks Gazette)

Dave Soroka, left, contemplates the significance of stray ink blots in a painting by Grand Forks artist Leta Heiberg. (Tina Bryan/Submitted)

Just Posted

Abra Brynne wins Kootenay-Columbia Green Party nomination

Brynne is one of three candidates who will challenge MP Wayne Stetski

Grand Forks seniors society finds new home, more members after year apart

The seniors centre is aiming to open at the old Hardy View Lodge on Aug. 1

Search and Rescue well-trained but looking for permanent home

They’ve got a big team and solid training, now GF SAR is looking for a permanent home

Search for missing Salmo motorcyclist called off for the time being

RCMP say no evidence of Cory McKay’s whereabouts was found Thursday

Huckleberry harvesting restricted in Kootenay-Boundary region

Critical foraging zones for grizzly bear and other wildlife species

VIDEO: Reports say Lashana Lynch is the new 007

Daniel Craig will reprise his role as Bond one last time

WATCH: B.C. MLA Michelle Stilwell takes first extended steps in nearly three decades

‘It actually felt like walking. It’s been 27 years… but it felt realistic to me’

Science expedition to Canada’s largest underwater volcano departs Vancouver Island

Crews prepared for a two-week research mission to the Explorer Seamount

B.C. shipyard to get one-third of $1.5 billion frigate-repair contract

The federal government has promised to invest $7.5 billion to maintain the 12 frigates

Anglican Church to review governance structure after same-sex marriage change fails

Some say the current system to change doctrine gives too much voting power to a smaller class of bishops

B.C. adding fast-charge stations for electric highway trips

Okanagan, Vancouver Island, Kootenay stations ready for use

Worried about bats? Here’s what to do if you come across one in B.C.

Bat expert with the BC Community Bat Program urges caution around the small creatures

B.C. on right road with tougher ride-hailing driver rules, says expert

The provincial government is holding firm that ride-hailing drivers have a Class 4 licence

Kootenay-Columbia candidate talks up NDP federal election platform

Wayne Stetski outlines election ‘commitments’ to Canadian voters for upcoming fall campaign

Most Read